Broken lenses: After 120 years Kodak files for bankruptcy

Sad news came over the last few days; the once glorious Eastman Kodak empire is very probably ending as the photographic pioneer prepares to file for brankruptcy. First Polaroid, now Kodak, have fallen in this digital age. It is very difficult to discuss Kodak in the present tense, as the situation looks far too grim for them to pull through.

The company that brought photography to the masses is currently shedding a whopping $70 million a month. In an attempt to keep themselves (and their employees) afloat, Kodak are selling off their patents and working with lenders. If this wasn't bad enough, shares in the company have been closing at $1 for over 30 days. Ouch.

Looking at a graph of Kodak's share price over the past decade is depressingly gloomy, but predictable for a company that hasn't really managed to adapt to the changing times. Kodak had never really been able to recover from the digital revolution, which blew interest in traditional methods well away from mainstream consumers. The worst thing about this is that it was a Kodak engineer, Steven Sasson, who invented the digital camera in 1975 (even the Apple QuickTake cameras, one of the first consumer digital cameras were produced by Kodak) - so what went wrong?

 


 

Many are blaming phone cameras for the company's fate, but it isn't that simple, and if that were the case, plenty of other brands would be in the same situation. No, despite a pathetic attempt to reach the digital age by focusing on producing home printers, they just didn't manage to stay ahead of the game.

And this isn't their first mistake. In the 1970s Kodak sat on top of the market with 90% of film sales and 85% of camera sales in America, making them confident that Japanese newcomers Fujifilm would be no competition despite their cheaper prices. Kodak's pride and belief that the American public would never desert the brand resulted in them turning down sponsorship of the 1984 Los Angeles Olympics, which Fuji quickly snapped (forgive the pun) up, giving them a foothold in the market. 

Although Kodak planned their move to digital in the 1990s, they never really felt any pressure of competition and, shockingly, the executives could not imagine a world without traditional film. Although film sales dropped dramatically in 2001, there was no lightbulb moment; instead the decrease was blamed on the September 11 attacks. Things snowballed from then on.

It is so sad to think that this classic photography brand is coming to a close, a brand so ingrained in our culture that the phrase "Kodak moment" has become synonymous with a rare, once-in-a-lifetime moment that has or should have been captured forever. 

It upsets me to think that a few generations from now, people my age won't know how it feels to load a 35mm film into a camera, or the excitement of looking through your grainy, already-faded holiday photos taken on a single-use camera. 

 

2011: So long and thanks for all the fish.

This post is slightly belated, I must admit, but I thought it best to write something about my past year!

I feel like I haven’t really shot much in 2011, but actually that isn’t true, I’ve just shot less self portraits. In fact, I think I’ve only shot about 5 sets of self portraits, which is pretty crazy considering how many I used to take. It isn’t that I’m running out of ideas but that I’m busy with other projects and the joy of actually being paid to take photographs - something that I didn’t think would happen earlier this year. 

When I first started being ‘serious’ about photography about 5 or 6 years ago, I used to take self portraits because I knew exactly what I wanted to do, and I didn’t have to worry about anyone else. I was also terrified of letting down models because I wasn’t good enough. I seem to have gotten over that fear, not because I think I am skilled, but because I refuse to pander to divas. If a model acts off with me, I’ll probably tell them to get out my studio.

This has been the year when I have shot the most photographs of other people. Most of them, I would say are incredibly nice and talented people. I’ve shot one of my favourite performers Missy Macabre, the utterly stunning Jess Abidde, delightful burlesque performer Miss Betsy Rose, Italian model Shivabel, American artist Vera Icon, uniquely gorgeous Helene Atsuko, ridiculously photogenic Nina Kate, the super sexy frenchie Mam’zelle Maz, another of my favourite performers Leah Debrincat, beautiful Amanda (who I’ve shot before, amazed at her chameleon skills), ethereally perfect Miranda Barrie, and last but not least gorgeous red-head Sophia St. Villier! Most of those people I probably gazed at longingly years ago! 

 

 One highlight of my year was collaborating with Amelia Arsenic for her A is fo Arsenic: Crime and Punishment range, which are still for sale here. We actually shot the original images in November 2010, but they weren't released until this year. You can view the original images and the lookbook photos here. As if that weren't amazing enough, one of the images was featured on a Torture Garden flyer!

 

Modelling has taken a little bit of a back seat this year, although I have so many ideas and outfits, I rarely find people that I can work with who understand my vision! Unfortunately most of those that I do enjoy working with live far away! This year, however, my partner Markabre Charade has picked up the camera and been using me as his muse somewhat. Not only has he created some beautiful films, including the Monarch (a beautiful experimental film seen below), he is also a talented photographer!

 

A collection of some of the shots in which I modelled (photographers: Ravenblakh, Yukidoll, Neil Dawson, Maria S. Varela, Markabre).

 

One of my favourite shots this year is this one by Yukidoll photography. I had created this outfit from scratch in homage to Galliano's Frozen Ukrainian Brides and had been looking for someone to shoot it in a very specific way. Although this was shot in 5 minutes in a hallway before a mad rush to catch a train, it is still exactly what I was looking for.

 

In 2011 I've been treated to two Opera outings (Die Zauberflote at The Royal Opera House and Terry Gilliam's The Damnation of Faust at ENO), a Derren Brown show and went to see a fair few of my favourite bands including Katzenjammer (twice), Balkan Beat Box, George Clinton, The Tiger Lillies, Shantel and various musical marvels at Bestival.

 However, there was one big change in my life that made 2011 fantastic - starting work at Playful Promises! The 4 most recent shoots above were for PP, and I have also recently shot the AW13 lookbook, which we will be teasing you with soon. We already have some exciting ideas for 2012, as of course there is no rest for the wicked with Valentine's Day coming up! 

I don't really have any resolution apart from to update this thing a little more, and get the ball rolling with The Roustabouts (our new DJ duo team), of which there may be some exciting news very soon! I hope you all had a great 2011, and if you didn't, that 2012 will be better for you :)

 

Merry Christmas!

Oh dear, aren't I awful at updating? I'll be definitely adding this to my new years resolutions, and hopefully give this place a bit of a facelift!

Work has been super busy lately, and most of my blogging skills have gone into the Playful Promises blog. My partner and I have also set up a new venture, a theatrical DJ duo called The Roustabouts! We play all sorts of music, from Balkan Beats to electro swing - hopefully 2012 will be a big year.

I'm writing this from my parents' new house in Cornwall. They moved down from Essex a few months ago, but they have been looking forward to this for years and years. Their house is beautiful and this is what I can just about see from where I'm sitting...

It smells so beautiful here.

Have a lovely Christmas and I'll leave you with some photos I took of burlesque stunner Sophia St. Villier for Playful Promises!


The lure of the two-headed cat

On Thursday the Playful Promises boutique took part in the Carnaby 20% Shopping Party, so I spent the evening there helping everything run smoothly and organising the performers. You can read all about that over here.

Amidst all the burlesquing and cake eating I managed to nip to the shop next door to the boutique, F-Troupe, which drew me in with it's two headed cat...

 

 

Their shop is full of crazy taxidermy, oddities and victorian photographs. 
I ended up buying these boots, and paid a little extra for the pointed toe option. 

 

 

Their packaging was also stunning, the shoebox is definitely something I'll use for keeping things in, and the printed bag is the ideal size when I need to go on shoots etc.

 

Markabre Photography

 

 My partner and creative accomplice Markabre Charade is not only a DJ, model and musician but also a budding videographer and photographer. At the moment I'm somewhat of a muse for him, so his portfolio is a love-story to my face! Here are a few recent shots he has taken of me..

 

Last night at Die Freche Muse... possibly my new favourite club.

 

 

 

The above and below were taken at The Boom Boom Club in the Old Vic Tunnels.